Play Along Piano

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counterpoint

J. S. Bach: Fantasia in G minor, BWV 917, "Fantasia duobus subjectis"

intasei

2:43	Est. Play Time
61	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	2	8	7	88%
		27	2	9	8	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	2	8	7	88%
		27	2	9	8	94%

Invention in G minor

kaled.dabboussi.3

3:06	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klavier		23	1	7	4	100%
		20	0	7	7	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klavier		23	1	7	4	100%
		20	0	7	7	100%

Two-Part Invention (reworked)

Aisido

2:50	Est. Play Time
54	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	2	6	6	100%
		18	0	5	8	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	2	6	6	100%
		18	0	5	8	98%

Sarabande for Harpsichord (Opus 61)

schoutens

2:37	Est. Play Time
42	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		30	2	10	8	100%
		27	11	9	7	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		30	2	10	8	100%
		27	11	9	7	100%

Fugue

Ayden Kael McDonald

3:16	Est. Play Time
41	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	1	7	6	95%
		32	7	11	7	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	1	7	6	95%
		32	7	11	7	93%

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